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| Customer Reviews: | | Average Customer Review: ( 508 customer reviews )
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Most Helpful Customer Reviews
443 of 503 found the following review helpful:
 DAMAGED GOODS Jan 29, 2009
By Michael C. Smith
"MGMboy@aol.com"
Some reviewers and fans of the Bond films have complained that this film is a lesser effort in the series and pales in comparison to "Casino Royale". They have missed something important in their assessment of the film. When Dominic Green says to Bond that he and Camille Montez have something in common, that they are both "Damaged goods" he has clearly put before the audience the crux of the film that is "Quantum of Solace".
The film picks up only minutes after the end of "Casino Royale" and we are presented with a very damaged and changed James Bond. As revealed in the first film by Vesper Lynd's assessment of him upon their first meeting on the train, James Bond is a man who came up from humble beginnings and was given a privileged education but never allowed to forget his low origins. This has made him a very guarded loner with a chip on his shoulder, a perfect candidate for recruitment by MI6. In his words to her later on in the film, Vesper has "stripped me of my armor." But by the end of that film he is a man scarred by the death of his love, the armor is back on never to be penetrated again. He is now becoming the Bond of legend and a man bent on revenge.
So in "Quantum" there is no reason for the old fashioned quips or much humor in this man. Yet if you pay attention the character of James Bond as played by the incomparable Daniel Craig he lets us see that there are cracks in the armor. Something of a human heart still exists in him. This is played out in the scene after the plane crash where Camille asks him about his past. Craig shows it in his eyes in the most marvelous example of his layered and subtle acting style. Craig builds and molds a deeper, darker more complex Bond than we have ever seen before, a character more true to the books than in previous incarnations of Bond.
The action in the film is superlative and stylish. The opening car chase is indeed a nail biter only surpassed by the Sienna chase moments later. This too is then topped by the DC10 aerial battle towards the end of the film. The stunts are breathtaking and propel the film at top notch speed. But perhaps the most stunning and original sequence is the gun fight in the restaurant at the Opera house. This is played without sound effect as the score of "Tosca" commands the ear and heightens the emotion of the scene. This is inspired and brilliant film making taking in account all aspects of editing, cinematography, score, and acting. And since I mentioned music I cannot leave out the incredible delicious score by David Arnold who has infused his Bond scores with the much need taste of John Barry. He captures the glorious Barry sound and builds brilliantly upon it.
All the principle players give superlative performances. Judi Dench command attention as she always has as "M". Giancarlo Giannini redeems himself and is truly touching as Mathis. Mathieu Amalic is appropriately slithery and devious as the villain Green. As Agent Fields, Miss Gemma Arterton brings a light and fun light to the film. Finally in the role of Camille Olga Kurylenko holds her own opposite Daniel Craig. This is no mean feat and she is wonderful, athletic and touching in the film.
In the end Bond does find a quantum of solace and ends the film in a telling way. A small gesture that lets us know he is now moving on but not without a tinge of sadness. This beautiful sad ending is a refreshing and moving way to end a Bond film.
"Quantum of Solace" is a fast paced film that demands attention to the small details and respect for superlative performances by all involved from the director Marc Forster to the entire cast and crew.
65 of 75 found the following review helpful:
Two-Disc Special Edition Loaded with Extras Mar 19, 2009
By Cubist
With the successful reboot of the James Bond franchise with Casino Royale (Three-Disc Collector's Edition), fans speculated what the next adventure would be and who would be the director. With the new look and attitude expertly established by Martin Campbell, the producers made the decision to have Marc Forster helm the next one, Quantum of Solace. At first, he seems like a rather odd candidate to direct as he's known mainly for edgy independent films like Monster's Ball and the sentimental biopic Finding Neverland (Widescreen Edition). However, his choice makes more sense once you realize that his films are predominantly character-driven and Casino Royale had much more of an emphasis on character than most other Bond films.
Forster does a surprisingly excellent job creating a lean, no frills revenge story under the guise of a Bond film. He is more than capable of handling the action sequences, of which there are many, and invests us in Bond's personal quest for vengeance all the while fulfilling the usual expectations of a Bond film: beautiful women, death-defying stunts, exotic locales, and world-dominating villains.
The first disc features a music video for "Another Way to Die" with Alicia Keys and Jack White in a slick video done very much in the style of the opening credits sequence. As far as Bond songs go, it's actually quite good and a definite improvement over Chris Cornell's song for Casino Royale.
Also included are teaser and theatrical trailers.
While there are several featurettes on the second disc they are very substantial in length.
The second disc starts off with "Bond on Location," which takes a look at the challenge of finding original locations all over the world for the film that fit the specific visual look that Forster wanted to achieve. This included set design, how the extras looked and so on.
"Start of Shooting" examines the daunting task of following up the phenomenonal success of Casino Royale. Craig had to do much more extensive training for this film, including things like stunt-driving.
"On Location" sees Forster viewing the film's various locations as characters unto themselves. They shot in some pretty remote areas.
"Olga Kurylenko and the Boat Chase" takes a look at the new Bond girl and how they viewed her character as Bond's equal. The actress did a lot of physical training so that she could do many of her own stunts.
"Director Marc Forster" talks about what he brings to the film. The cast speaks admiringly of him.
"The music" examines composer David Arnold's work on the film and how he tried to reflect its themes in the music. Alicia Keys and Jack White talk briefly about working together and we see footage of them shooting the music video for their song.
95 of 117 found the following review helpful:
 Quantum of Solace Not Perfect, But Still A Superior Bond Film Feb 17, 2009
By Terence Allen
"Quantum of Solace," the latest James Bond film and the second featuring Daniel Craig has its flaws, but is still a pretty spectacular film. The series is in full retooling mode, hardly recognizable when compared to the films of Sean Connery and Roger Moore. While closer to the darker sides of Timothy Dalton and Pierce Brosnan's Bonds, it does have more in common with the popular Jason Bourne series starring Matt Damon, which is not a bad thing.
This Bond pickes up right after the end of Casino Royale, as Bond takes a prisoner for interrogation to M, again played by Dame Judy Dench. The interrogation and subsequent events uncovers a global conspiracy named Quantum, with members of prominence and power, including an admired environmentalist who is obviously up to no good. The rest of the film plays out as Bond races to find out and foil the villain's scheme, partnered with a revenge-minded woman, played by Olga Kurylenko.
The negatives - This film is much shorter than most Bond films, which isn't good or bad by itself, but the film plays in parts like it had a bit too much cut out, most notably the scenes between Bond and Strawberry Fields, a female agent played by Gemma Arterton. Like many women, she tries to resist Bond's charms to no avail, but as events unfold, it is obvious that Fields and Bond had quite a bit of time together, which is not reflected in the final cut. The villain, played by Mathieu Almaric, does not convey much in the way of danger or menace. He doesn't need to be the kind of kitschy, cartoonish villain that the old Bond films are famous for, but he should at least raise the audiences hackles, but he does not. Finally, the tension between Bond and M is understandable, but every film shouldn't have Bond being stripped of his license and having him act any more of a free agent than he already does. It would be more realistic to show the continued development of their relationship with disagreements and dialogue rather than rely on a plot device that has been used numerous times in the Bond series.
The positives, which far outweigh the negatives - Daniel Craig continues to prove that his Bond is like no other. His Bond is nuanced, troubled, and truly, truly dangerous. This Bond seems like someone who has a license to kill and is more apt to use it than any other Bond save Dalton's Bond. His acting talent gives Bond the gravitas and good humor that provides a balanced character. The action scenes have been updated and are breathtaking, and the potential for future films seem limitedless.
Quantum of Solace bodes well for the future of the series since even though it is flawed, it is at the same time a very remarkable film.
75 of 95 found the following review helpful:
 Quality of [...] Mar 30, 2009
By Frank Rhee
To me, Quantum of Solace was a complete and utter letdown ! I saw and liked its direct predecessor Casino Royale, so my expectations were high. But I found some parts of QoS to be almost unwatchable. Did the editor go mad or was he doped up when he cut this movie? The action sequences comprise of extremely short, blurry images that pass with machinegun-speed. They produce an almost stroboscopic effect that literally hurts your eyes and numbs your mind and leaves you unsure of what's happened. At home, you can rewind the DVD player to watch it again. In the movie theater, you're hopefully lost. The result is a physically exhausting film experience after a mere five minutes of play. I almost switched the DVD-player off there and then. I know that the pace of (action) movies has picked up considerably since the nineties, and in general that is a good thing. But the pace of the action sequences of QoS is ridiculous and an insult to moviegoers. My young adult children (18 and 16) complained about this too, so thankfully I am not alone in this respect. Just lately, I began to fear that I have trouble coping with the increasing pace of today's movies because I have turned middle-age. Clearly this is not the case, then ! The action and violence in QoS is gritty and realistic, almost clinical. And I love Daniel Craig as the new JB. Five stars for him. But QoS the movie seems to have no discernible plot and what little plot there is is enigmatic (not in the positive sense), vague, illogical and lacks coherence. This quickly becomes annoying to the extreme. You never have an idea what's going to happen next and --most important--why. I am very happy with "the new JB" as portrayed by Daniel Craig, but QoS is definitely not the way forward with the JB-franchise.
43 of 55 found the following review helpful:
 Missed Opportunity to Add to Bond Canon Feb 23, 2009
By Ranma
The movie starts off well enough with a nice car chase sequence that employs quick-cut scenes to convey adrenaline-pumping action, but it can be difficult to follow and I have to agree with critics' description of this approach as hypercut editing. In fact, a few people left the theater after the movie starts off with its two signature action sequences utilizing this approach. This unfortunately just underlines the problem with the film's pacing. Marc Forster is well-regarded for his previous work on "Finding Neverland" and "Monster's Ball", but it is obvious that this is his first venture into action-film-making. While I think it is a great idea for the production team to employ "Bourne" veterans to stage the action sequences, the movie was overly reliant on their approach and the aforementioned hypercut editing should have been a complement to the movie's style rather than its primary tool.
I defended Bond's state of mind and soulless demeanor as a vehicle in his early character development that would take him to the familiar suave, debonair spy he eventually becomes, but the portrayal of his motivated actions were inconsistent and rang hollow. As referenced in the title of this review, this was a greatly missed opportunity to memorably add to and definitively establish his early beginnings in James Bond canon. It is all the more disappointing when you consider the serial core cast--Daniel Craig, Judi Dench, and Jeffrey Wright--was at the top of its game and that there were some intriguing story elements that could have been delved into more or at least handled better to have the audience empathize more with James Bond's inner demons. This might be attributed to a rushed script that was turned in before the writers strike in order to meet production deadlines.
Being a sequel to the storyline from the indelible "Casino Royale", there was a perfect set up to finish Bond's emotional journey but instead it seems like the movie was more interested in hastily ending that part of his life so that it can move onto his next. "Quantum of Solace" even tries to emulate its predecessor with an ending to signify the birth of the Bond the world knows and loves. However, it is executed unconvincingly not only in that particular scene, but also in the buildup throughout the whole movie. It would have been better off for "Royale" to serve as a standalone end story rather than have "Solace" expand on it in such a paint-by-numbers fashion.
As much as "Casino Royale" took a quantum (pun intended) leap in re-invigorating the Bond franchise with a classic telling of Bond lore, "Quantum of Solace" stumbled with a couple of mis-steps back with an unfulfilling product that won't necessarily hurt the franchise but does indicate a possible return to the uninspired, formulaic approach to making James Bond movies.
It's funny how a previous reviewer mentions paying attention to detail in order fully appreciate this movie because I feel this movie would be better enjoyed if the audience would gloss over the details. In fact, if you compare the end scene of "Casino Royale" with opening scenes of "Quantum of Solace", you'll notice the suit Daniel Craig was wearing is different as Bond donned a Brioni suit in CR but a Tom Ford suit was shown in QoS.
I'm still glad I saw the movie but it comes off as superfluous and if I had to give it a grade, it'd get a C+ with the plus only added due to being somewhat related to the previous Bond outing, which I obviously have a high affinity for.
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![Quantum of Solace [Blu-ray]](http://ecx.images-amazon.com/images/I/51lWnAopXtL._SL160_.jpg "Quantum of Solace [Blu-ray]")
